This project is all about the collaboration between the different roles required to make a successful short film. The roles that myself and my colleges, Sam Jenkins and Dan Marnie will be undertaking are Location Sound and Post Production Sound. Both these roles play a part in either making or breaking a film so it is vital you get it right.
Requirements
Viewfinder Productions have constructed a brief for the Sound Team to follow. Our job it to fulfil these requirements to the highest standard. The brief includes:
Production Responsibilities:
- Prior to shooting, to come to the set, and professionally assess the acoustics of the performance area.
- This also involves the assembling, operating and later removing of the necessary equipment.
- To consult with the Producer (Hannah Darby) and cast to determine the sound requirements, and what is needed for the best possible output/input.
- To select, position, adjust and operate the equipment used for amplification and recording on set.
- To apply technical knowledge of sound recording equipment to achieve the artistic objectives of the Director (Lauren Taverner).
- To record sound to the highest quality possible on set.
- To monitor audio signals to detect sound-quality deviations or malfunctions.
- To anticipate correcting any problems.
- To maintain and repair sound equipment where needed.
- To answer any questions that the cast or crew has in terms of the understanding of the audio and what their role is to ensure its quality.
Post Production Responsibilities:
- To integrate and synchronise the pre-recorded audio (dialogue, sound effects and music) with visual content.
- To re-record and synchronise audio (post-synching) if necessary.
- To mix and balance speech, effects and music (where necessary).
- To create and alter sound effects for use in films, television etc.
The final deadline for this submission will be the 15th December at 4pm.
Aims and Objectives
The aims and objectives created by the Sound Team (consisting of Dan Marnie, Sam Jenkins and myself) are as follows:
- Produce one advanced concept led audio project, in this case a short film for a client, successfully fulfilling the clients’ brief and satisfying their expectations.
- Research necessary equipment, techniques and other information pertaining to both Location Sound and Post Production audio, and use that knowledge to effectively improve the quality of the project.
- Plan our work, attend any group, client or tutor meetings accordingly; and ensure we do not fall behind with any work that needs to be completed.
- Document the project meticulously, and present this information in a blog format.
Outcomes:
- To be able to further my knowledge in Location Sound and achieve the highest quality in Audio as possible.
- To produce a complex piece of Sound Design that compliments the film and drives forward the narrative.
Individual Learning Outcomes:
- Further my knowledge in Location Sound techniques
- Use varied microphone techniques on set: Plant microphone techniques and Booming techniques
- Develop personal skills to achieve a high standard of set etiquette
- Research and utilise foley recording, mixing and editing techniques